Tandem Press Studio Update, Ed. 4/17

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Tandem Press Studio Update, Ed. 4/17


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TANDEM PRESS                                                 STUDIO UPDATE, ED. 4/17



For the first time ever, Tandem Press has teamed up with printmaking faculty from the University of Wisconsin-Madison Art Department to offer a new summer printmaking workshop open to the public. Participants in this workshop will use either relief or screen printing methods to create their own printed image and then collaborate together to create an oversize exquisite-corpse print!



Andy Burgess, Rietveld Schröder House, 2016, Linoleum cut, 14 1/2 x 17 1/2 inches, edition of 15

Andy Burgess created the above print during a visit to our studio last fall. His work examines modern architectural forms through geometric renderings and inventive color palettes. A selection of his paintings and prints are currently included in an exhibition titled Color Theory at Etherton Gallery in Tucson, AZ, on view through May 31.



Alison Saar, Haint Blue, 2016, Relief with cotton muslin overlay and shellac, 24 3/4 x 14 1/2 inches, edition of 12

Alison Saar
If you are in the Lynchburg, Virginia area, Alison Saar is giving a visiting artist talk at the Maier Museum of Art at Randolph College this Tuesday, April 4, at 7pm.

If you can’t make it to the Maier Museum of Art, Alison Saar briefly spoke about her work with Claire Kovacs,  Director of the Augustana Teaching Museum of Art, and Melissa Mohr, Director of Education at the Figge Art Museum, who host The Gallery Gap on WVIK, Quad Cities NPR.


Martha Glowacki, Natural Philosophies (panel 1), 2009, archival inkjet, 29 1/2 x 19 inches, edition of 12

Martha Glowacki
In conjunction with her exhibition Martha Glowacki’s Natural History, Observations and Reflectionscurrently on view at the Chazen Museum of Art in Madison, Wisconsin, Martha Glowacki will give a lecture about her work this Thursday, April 6, at 5:30pm in the Chazen Auditorium. On view through May 14, this exhibition shows Glowacki’s study of the intersection of scientific illustration and visual art, particularly in relation to tendencies of human observation and description of the natural world.

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