Tandem Press Studio Update, Ed. 8/17

Tandem Press Studio Update, Ed. 8/17


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TANDEM PRESS                                                 STUDIO UPDATE, ED. 8/17


We recently released new editions by Richard Haas and Alison Saar.
Click the images below for more information about these prints!



Richard Haas, Madison, Monona Terrace, 2017. Lithography, 26 1/2 x 25 inches, edition of 40. $1,500. 



Alison Saar, Black Bottom Stomp, 2017. Woodcut and linoleum cut on indigo dyed found cotton quilt pieces, approximately 18 x 11 3/4 inches, varied edition of 18. $3,500.

(left) Alison Saar, Coal Black Blues, 2017. Intaglio on stained cotton shop rags, approximately 15 1/4 x 12 3/4 inches, varied edition of 21. $3,000.
(right) Alison Saar, Redbone Blues,
 2017. Intaglio on found vintage handkerchiefs, approximately 16 x 16 inches, varied edition of 21. $3,000.



Sam Gilliam, In the Fog, 2010. Relief, archival inkjet, collograph, acrylic paint, wood veneer, cork veneer, nylon thread, collage, 39 x 41 inches, varied edition of 25. $4,500. 

Sam Gilliam
On March 17, 2017, Sam Gilliam participated in an artist’s panel presented by the National Gallery of Art and the Wyeth Foundation for American Art Symposium. Taking place at Howard University, the panel also included Washington-connected artists Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Keith A. Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall.During the panel, Gilliam spoke about moving to the city in 1962 and some of his early printmaking experiences and artistic influences.

Click here to view his talk (starting at 43:40) and a complete recording of the panel, which is now available on the National Gallery’s website. 


Gary Komarin, The Blue Cake, 2000. Collograph, 32 x 38 3/4 inches, edition of 20. $2,000. 

Gary Komarin
The Dance Card – exhibition at Gail Severn Gallery
July 26 – August
25, 2017
Gallery Walk this Friday August 4th 5-8pm
Gary Komarin has an exhibition of paintings currently on view at Gail Severn Gallery in Ketchum, Idaho. The built up surfaces of Komarin’s work are influenced by urban textures and visual chatter found in worn down asphalt and repaired roads. Awakened by splatters, scribbles, and sensuously thick lines, Komarin’s paintings and prints provide rich abstractions that amplify their recognizable images.


Judy Pfaff, Untitled #6, 2008. Etching, relief, archival inkjet, collage, 10 1/2 x 15 inches, edition of 50. $2,250. 

Seeing with Our Own Eyes
Seeing with Our Own Eyes – a group exhibition at Forum Gallery
July 10 – September 29, 2017

Three of our artists, Lesley Dill, Judy Pfaff, and Alison Saar are included in this exhibition at Forum Gallery in New York City. Featuring a selection of progressive women artists, this show presents a wide range of aesthetic styles and contemporary approaches to painting.

Over the last several months, we have been busy in the studio working on a series of new work by Judy Pfaff. This new work will be ready for release in September, so stay tuned for more information about these new prints next month!


Maser, Together, 2014. Relief, lithography, 33 1/8 x 46 3/4 inches, edition of 24. $1,500. 

Irish street artist Maser recently completed a new mural while in residency at the Virginia Museum of Contemporary Art. We are thrilled that Maser will be back in the studio at Tandem Press this September to complete a few new editions of prints. Until then, check out images of his new mural on Maser’s and Virginia MOCA’s Instagram accounts @maserart and @virginiamoca.

Thanks for reading! Until our next email update, don’t miss any of the
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