Joe Freye editioning Starry by Maser
Collaborative Printmaker Joe Freye prints a woodblock layer for Maser’s Starry, 2017
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Woodblocks for Alison Saar’s Stanch in front of proofs of several projects hanging on the studio wall
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The wood and linoleum blocks used to print Alison Saar’s Black Bottom Stomp
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A template and several photo polymer relief plates set up on the Vandercook press during the production of Andy Burgess’s Brazil House
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A proof of one of Swoon’s photo polymer relief plates
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A photo polymer relief plate on the Vandercook press, inked up, and ready to be printed
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A photo polymer relief plate is set up on the Vandercook press to be printed for Suzanne Caporael’s Timbre
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Alison Saar carves a woodblock for her print Backwater Blues
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Collaborative Printmaker Joe Freye inks up a woodblock for Jim Dine’s Black and Red Heart
